Please Wait Whilst We Try to Connect You

Commission for Wilton’s Strike! Dance Festival

Using text, dance and music, Meredith and Bruno examine how technology is metamorphosing humans from sensual to virtual beings and evolving our personal relationships.

Jo Meredith

Text and Dramaturgy:
Sean Bruno

Katherine Kingston, Grace Hann, Luke Clarke, Jack Jones


Wilton’s Music Hall is fast becoming a significant dance venue, with its Strike! festival presenting a compelling mix of new work. Last Friday’s programme offered Elise Nuding’s likable if slight Shift, Spin, Warp, Twine, and Jo Meredith’s Please Wait Whilst We Try To Connect You. Meredith’s four-handed work is set to text by Sean Bruno, with whom she frequently collaborates. Drawing a parallel between online identity and the myth of Narcissus, she presents a male and a female dancer tracked and shadowed by their mediated, auto-manipulated selves.

The text, the soundtrack (the Bad Plus, Brad Mehldau) and the choreography are stringently pared back, and the result is subtle and allusive, with a resonance that belies the piece’s small scale. Meredith is probably the best-kept secret in British contemporary dance. Seek her out.

Luke Jennings, The Observer  October 2014

That leaves two works that pretty much hit the spot… Please Wait Whilst We Try to Connect You, by choreographer Jo Meredith and dramaturge Sean Bruno, is also about connection and communication, but adds a layer of complexity by having its characters doubled. The men (Jack Jones and Luke Clarke) are dressed identically in pale colours, the women (Grace Hann and Katherine Kingston) identically in dark, so that instead of a quartet the piece feels like a duet between – and within – divided selves. The music too – cover versions of The Rite of Spring (by jazz trio The Bad Plus) and of Radiohead songs by pianist Bruce Mehldau – suggests doubled identities. The whole set-up forms a richly suggestive matrix for a neatly composed play of feints and flankings between its performers. Suggestive ideas, crafted choreography, poised performances – nice.

Sanjoy Roy,  October 2014